One of the big stories of the 2015 Tour de France was the
emergence of African cycling—and I’m not talking about overall winner Chris
Froome. For the first time, an African-based team, MTN Qubeka (South Africa)
participated in the Tour. Five of the nine riders on MTN Qubeka were Africans
(three from South Africa, two from Eritrea). One of their riders, Daniel
Teklehaimanot, wore the Polka Dot jersey for a few days (first black African to
wear any prize jersey at a grand tour), and the team finished an impressive
fifth overall in the team classification.
When I picked up Tim Lewis’s The Land of Second Chances: The Impossible Rise of Rwanda’s Cycling
Team (Velo, 2013) back in July, the timing was perfect. Lewis’s book about
an African cycling story and the evolution of professional cycling in that
continent suddenly seemed prophetic.
The genius of this book is the interweaving of three disparate
storylines, all intersecting in Rwanda and all variations on the theme of
second chances. First, that of Rwandan cyclist Adrien Niyonshuti and his
unlikely and remarkable journey from genocide survivor in a land of few
bicycles to Olympic and professional rider. Second, that of Tom Ritchey, American
mountain bike innovator and legend who, while experiencing something of a
mid-life crisis, finds himself visiting Rwanda’s le pays des mille (land of a thousand hills) and launching a series
of cycling endeavors in that country, including bankrolling a cycling team. And
third, Jock Boyer, an eccentric former pro cyclist, the first American to race the
Tour de France, who despite a disturbing post-cycling life that saw him briefly
in prison, ends up becoming the coach of that Rwandan cycling team.
The early chapters of the book are compelling. Lewis
sketches the horrors of the 1994 genocide and its aftermath, ingeniously
weaving a cycling thread through the telling in a way that feels original and entirely
appropriate. It’s not an easy story to tell, but Lewis pulls it off. He also
offers a fascinating history of cycling in Africa (a spin off of colonialism),
generally, and Rwanda, in particular, complete with accounts of early rubber
plantations (to feed the European demand for tires), wooden-bicycle races, and
all manner of ingenious, free-lanced cycling rigs, from bicycle taxis to
seatless scooters.
Ritchey’s life story and ventures in Rwanda are intriguing
too. He goes there without knowing a thing about the place but finds a
surprising kindred-spiritual connection between the DIY approach of
under-resourced Rwandan cyclists and mechanics and his own early days when he
introduced a similar can-do, creativity to bicycle construction. Thus is born
Project Rwanda, Ritchey’s ambitious plan to build special cargo bicycles
specifically for Rwandan coffee growers. Ritchey, who considers himself a “dot
connector,” establishes a link with Starbucks to help fund the scheme. And as
an offshoot of the Project, Ritchey creates a cycling development program, Team
Rwanda.
Boyer is hired to coach of that team, and his story is full
of demons of a different kind. After
retiring from cycling, Boyer got himself in trouble by getting into a romantic
relationship with a 12-year-old girl. That’s what got him sent to jail. Lewis remains
remarkably detached about all this. He tells us Boyer admitted to his mistake
and has tried to move on, though, of course, for lots of people, Boyer will
forever be defined by this one transgression.
Lewis seems to feel sympathy for Boyer, and his treatment in the book emphasizes
Lewis’s implied position that no matter how repulsive one’s transgression,
whether murdering your neighbor or abusing a child, forgiveness is the most
difficult yet most human of endeavors.
While I respect Lewis’s decision not explore the nefarious details
of Boyer’s crime, I did find his reticence on this matter a bit baffling. Not
that I really want to hear about what Boyer got up to. It’s just that if the
genocide has taught us anything, it’s that part of redemption and forgiveness
is coming clean. But Lewis seems so determined to take the high road with Boyer
that it feels like he has left something important out of the book. This is
especially striking given that, at other moments, Lewis includes gratuitous salacious
details for no good reason I can see, such as when he describes gorilla
researcher Dian Fossey’s encounter with naked Rwandan pygmies. Really? That makes it in but Boyer’s specific
crimes don’t?
Perhaps because of that, Boyer remains sort of flat, somehow
not fully realized in the narrative. And that’s when the book starts to wobble
a bit for me. The Ritchey storyline, too, disappears for a long stretch in the
middle, only to reappear with an anticlimactic chapter on the pitfalls of
Project Rwanda. Only two stars shine throughout the book: Adrien Niyonshuti and
Rwanda itself, both of them resilient, determined, complicated heroes.
In the final chapters, as if sensing that his grand narrative
is failing, Lewis turns his attention to what he calls the Africanization of
cycling. This is the theory, popular in some circles in recent years, that what
happened to distance running in the 1960s and 70s—almost complete domination by
African runners—is also going to happen to cycling, has already begun to
happen, in fact. Proponents of this theory say that the qualities that make
Kenyans and Ethiopians such good marathoners also make them excellent cyclists,
and it’s just a matter of time before these athletes make the transition from
spikes to spokes. That with the rights training and support, African cyclists
will one day come to dominate events like the Tour de France. If this year’s
results are any indication, that day may come sooner rather than later.
Despite the problems with the second half, this book is
still well worth reading for its fresh and original perspective on professional
cycling. It’s so easy to be cynical about much of what happens in the UCI, but
the story of Adrien Niyonshuti and his country will have even the most hardened
cycling fan rooting for him and for Rwanda.
So many books about bicycles that I want to read. Thanks for the review, Jasper.
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