“Travelling
by bicycle is a life of simple things taken seriously: hunger, thirst,
friendship, the weather, the stutter of the world beneath you.”
--Kate Harris
Kate Harris’s Lands of Lost Borders: Out of Bounds on the Silk Road (2018) opens
in medias res: the author and her
friend Mel Yule, both recent university grads, are stealth-cycling in the dead
of night as they attempt to sneak across the border between China and Tibet.
Harris conjures up a magical scene with her poetic account of the stars “freshly
soldered above the dark metal of the mountains.” The brilliant episode captures
the mixture of fear, astonishment, confusion, and, most of all, the thrill of
venturing under cover of darkness into forbidden territory.
It’s a terrific opener to what is a very fine
travel book by this promising young writer who grew up in Ontario, studied at
North Carolina, MIT, and Oxford, travelled extensively, published an impressive
string of magazine pieces about her adventures, and now lives off-grid in remote
Atlin, BC.
The book tells the story of two bicycle trips
made by Harris and Yule, one in the summer of 2006 in China and Tibet, and then
a longer one in 2011 from Istanbul across the old Silk Road route through
Armenia, Azerbaijan, several ‘Stans, China, Nepal, and ending at the Siachen
Glacier near the India-Pakistan border.
But there’s a lot more going on in this book
than mere bike trips. Harris claims, at one point, that her trip was
essentially an extension of her Oxford thesis on “how borders make and break
what is wild in the world.” And the book offers a compelling blend of her
research on the history of exploration and borders together with elements of
memoir, philosophy, travel writing, of course, and even bits of poetry.
As a travel writer, Harris is the real deal.
She’s observant, thoughtful, clever, and philosophical, not to mention
remarkably well-read, both in the sciences and humanities. One of the many
pleasures of the book is the wonderful connections Harris makes between her
reading life and her cycling life. For instance, her observations about the
historical and metaphorical connections between cycling and flight (by both
birds and humans) neatly tie together her reading of nineteenth-century history
of science and invention with her personal experiences of riding a bike. (Even
if she gets a few of the details of early cycling history wrong.).
Although the long Silk Road trip is the main
focus of the book, the first quarter is mostly background--the story of
Harris’s childhood adventurousness, her obsession with all things to do with
Mars, and the highlights of her young academic and personal life. I found this
part went on a bit long for my liking; Harris offers more information than we
really need about her romantic and academic relationships. We get the gist: she
was a precocious youngster, ambitious, bold, with a hunger for knowledge and
experience, from a young age treasuring both books and bicycles, for where both
could take her.
The rest of the book recounts the longer Silk
Road trip, returning often to the themes of borders and exploration. In between
the stories of encounters and adventures en route (tough slogging in Turkey,
red planet-like landscapes in Uzbekistan, red tape in Azerbaijan), Harris drops
a lot of names from the literary and scientific tradition, relying on a couple
of well-known guides in particular, Marco Polo and Charles Darwin; and some
lesser known ones too, such as Rebecca Solnitt, author of the splendid A Field Guide to Getting Lost, and the
Frenchwoman Alexandra David-Néel, who snuck across a few borders herself while
travelling through Tibet in the 1920s. For me, the most intriguing inspiration
for Harris is Fanny Bullock Workman, the amateur naturalist who cycled sections
of the Silk Road with her husband in the 1910s and wrote a book about the trip,
Two Summers in the Ice-Wilds of Eastern
Karakoram (1917).
Harris can write, no question. There’s often
poetry in her prose, like in this account of night sounds on the Tibetan
Plateau: “Outside, cicadas clattered metallically in the dark, a chorus of
spilled cutlery.” But at times there can be something a bit precious about
Harris’s slightly over-earnest Chatwinesque philosophizing:
We long our whole
lives for things we’ve never known, places, we’ve never been, abstractions that
come alive to us in unexpected ways. What does the Silk Road have to do with
Mars, except everything? Perhaps the great task of modern explorers is not to
conquer but to connect, to reveal how any given thing leads to another: the red
planet to the Silk Road, bicycles to the moon . . . .
I can’t quite tell if this is poetic and
profound or corny and forced. Maybe a bit of both?
This book has gotten a lot of buzz--awards,
glowing reviews, high praise almost everywhere. The cover features blurbage
from no less than Barry Lopez, Colin Thubron, and Pico Iyer. That’s heady
company, especially for such a young writer. (Harris is 35.)
As good as this book is, I found myself
occasionally wearied by its earnestness and jam-packed allusiveness. (In one
stretch of a couple of pages, Harris references Catherine Janeway of Star Trek, Shakespeare, Emerson,
Shelley, and the Dalai Lama.)
But I look forward to her next book, whatever
that may be about, where I hope to see in her writing a little more experience,
dare I say even a touch of cynicism, and, perhaps, a realization (one that often
comes with age) that the “simple things” don’t always have to be taken quite so
seriously.
Thanks for the review, Jasper. I love that quote at the beginning of the post! Hey, did you know about Fanny Bullock Workman before reading this book?
ReplyDeleteSure, Workman was a contemporary of Elizabeth Robins Pennell, but she wasn't nearly as good of a writer as Pennell, and she rarely mentions that she's riding a bicycle! To be honest, I find Workman's books to be rather dull.
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